White paint dripping into a tray
Art installation in the Ruskin School of Art
(Image Credit: Ruskin School of Art)

Master of Fine Art (MFA)

About this course

The Ruskin Master of Fine Art (MFA) degree is an intensive one year studio-based programme in the practice of contemporary art. You will be part of a small cohort on a course designed to direct and develop your artistic practice and theoretical knowledge in a supportive environment. The MFA provides an outstanding artistic environment for developing your practice in the context of a postgraduate, arts research culture. 

The tutorial system is at the heart of teaching on the MFA and you will be supported by tutors of the highest calibre, with a student-to-staff ratio and contact time that are exceptional in UK art schools. The MFA studios are all located on the first floor of Ruskin's Bullingdon Road building, with easy access to workshops and media facilities downstairs.

The programme encompasses a diversity of disciplines including painting, sculpture, printmaking, photography, writing, installation, video, sound, performance, and other expanded forms in contemporary art. It aims to encourage experimentation and nurture a critical focus for your work.

Your artistic interests and those of your peers will be embedded in tutorials, seminars, and presentations, determining the direction of your creative development. You will engage with what it means to work as an artist today, considering how an artist’s work and ideas register in different artistic, social, historical, and theoretical contexts. You will be guided and supported by tutors in one-to-one tutorials and weekly seminars, focused on your making, key concerns, ideas, and their interdependent development.

Studio-based learning is facilitated through regular group reflection, which is characterised by collective participation in generous and robust discussion. A programme of dedicated masterclasses and skills workshops is designed specifically for the MFA. Facilities, such as the media lab and editing suites, printmaking workshop, casting, metal, and wood workshops, are on site in the Bullingdon Road building (https://www.rsa.ox.ac.uk/study/resources).

Ruskin students benefit from being part of a large University, with access to lectures and seminars in other departments and colleges and to specialist libraries and collections. The city offers varied cultural organisations include the Ashmolean Museum, Pitt Rivers Museum, and Modern Art Oxford. Students can freely access the Botanical Gardens with a university card and enjoy many other green spaces in and around Oxford.

The MFA is built around three compact eight-week terms, with students expected to continue working through the winter and spring breaks. A typical week on the MFA during the first two terms (Michaelmas and Hilary) includes: a research or practice seminar, an individual tutorial, and a skills workshop or masterclass.

The rest of your time on the course is dedicated to independent study: artistic practice and research in the studio, utilising Ruskin’s workshops and facilities and using the libraries. At the end of second term (Hilary), you will submit an Extended Text in support of the studio project. The last term (Trinity) is focused on the preparation of artwork for the final exhibition and a digital portfolio of studio practice for examination. MFA students and staff work together to curate and install the degree show in the MFA space at Bullingdon Road, which opens at the end of term.

Attendance

The course is full-time and requires attendance in Oxford. Full-time students are subject to the University's Residence requirements.

Resources to support your study

As a graduate student, you will have access to the University's wide range of world-class resources including libraries, museums, galleries, digital resources and IT services.

The Bodleian Libraries is the largest library system in the UK. It includes the main Bodleian Library and libraries across Oxford, including major research libraries and faculty, department and institute libraries. Together, the Libraries hold more than 13 million printed items, provide access to e-journals, and contain outstanding special collections including rare books and manuscripts, classical papyri, maps, music, art and printed ephemera.

The University's IT Services is available to all students to support with core university IT systems and tools, as well as many other services and facilities. IT Services also offers a range of IT learning courses for students, to support with learning and research.

Studio and technical resources

The Ruskin has dedicated studio space for all students to work together or individually, as well as workshops for specialist training in digital, 2D and 3D media. The project space at the Ruskin’s Bullingdon Road site is equipped for contemporary art practices, from performance and digital installations to painting and sculptural work. There is also a communal kitchen, shared by all Ruskin programmes, which has facilities for some food preparation. More information about the Ruskin's facilities (https://www.rsa.ox.ac.uk/study/resources) is available on the department's website.

Museums and galleries

Oxford holds some of the world's richest collections of art and artefacts. The Pitt Rivers Museum, the Museum of Natural History and the Ashmolean Museum are important centres for the research and display of artefacts and artworks within the University of Oxford. The Ruskin has excellent connections with the museums' network of curators, facilities and holdings.

Oxford also hosts important exhibitions of modern and contemporary art. For example, Modern Art Oxford has a national and international reputation for the quality of its exhibitions of contemporary art, and for its accompanying community and education programmes. The Ruskin has worked closely with Modern Art Oxford in the provision of its academic courses, and Ruskin students and staff have participated in exhibitions and public presentations at Modern Art Oxford.

Libraries and archives

Ruskin has its own specialised library of more than 7,000 volumes, including lending and reference collections focused on art history, art theory, art techniques, exhibition catalogues and artists’ monographs. The Ruskin holds around 20 sets of art journals and more than 2,000 art-related pamphlets. The library is fully integrated into the University’s electronic circulation system and a digital archive of the slide collection, comprising 15,000 images, is available on the departmental server. Ruskin library terminals offer full access to the electronic resources of the University of Oxford.

Supervision

The allocation of graduate supervision for this course is the responsibility of the Ruskin School of Art and it is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff.

MFA students see their allocated Studio Practice tutor and their allocated Extended Text tutor regularly for individual and group tutorials throughout the year. Most students have the opportunity to meet with their tutors a minimum of three times a term.

Assessment

The MFA has three main modes of assessment:

Final Exhibition

A presentation of fully realised artwork, or body of works, made during the MFA programme. This requires students to develop, create and present a coherent, thoughtful installation of work within a group exhibition.

Portfolio of Studio Practice

A digital portfolio of studio practice documented by photographic or other means. Throughout the programme, students are encouraged to construct approaches to documentation appropriate to their practice and research.

Extended Text

A written text of 4-6,000 words in support of the studio project. Students are encouraged to take an experimental approach to writing as they develop an account of the methodology used in the final project, an exposition of its theoretical framework, or an essay on a topic of direct relevance to their practice.

Graduate destinations

Many alumni from the Ruskin have pursued careers as practising artists, teachers, curators and gallery professionals in both public and private galleries. Others have gone on to pursue careers in diverse areas such as education and the cultural industries including, architecture, design and film.

Changes to this course and your supervision

The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. The safety of students, staff and visitors is paramount and major changes to delivery or services may have to be made if a pandemic, epidemic or local health emergency occurs. In addition, in certain circumstances, for example due to visa difficulties or because the health needs of students cannot be met, it may be necessary to make adjustments to course requirements for international study.

Where possible your academic supervisor will not change for the duration of your course. However, it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include illness, sabbatical leave, parental leave or change in employment.

For further information please see our page on changes to courses and the provisions of the student contract regarding changes to courses.

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